“I Started As Backup Vocalist for Alariwo of Africa” …US based ace female talking drummer, Ayangbajumo *Speaks on AGA Awards 2019

"I Started As Backup Vocalist for Alariwo of Africa" ...US based ace female talking drummer, Ayangbajumo *Speaks on AGA Awards 2019

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Eniola Lias Abiodun a.k.a Queen Ayangbajumo is one of the highly successful female talking drummers in the world, the Ogun State born Act has already carved a niche for herself and she has become a force to reckon with in the entertainment world.
Ayangbajumo, who is currently based in United State of America, is a great singer and a competent master of ceremonies, also talented Wedding Engagement compère(Alaga iduro-alaga ijokoo.)The daughter of a Retired Major in the Nigerian army recently shared her journey into the entertainment world with us, she also told us about her project ‘Ayan-to-gbajumo award, which second edition will come up on July 27th, 2019
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Ayangbajumo, the multi-talented and award winning drummer-cum-singer, in this interview with Global Excellence, speaks on her journey through the entertainment world. Excerpts…

Could you share your family background with us?

My name is Eniola Lias Abiodun, my stage name is Queen Ayangbajumo. My parents are Mr. and Mrs. Abdulazeez Lias. My father is a retired Army from Gbagura town in Abeokuta, Ogun state , while my mother is from Ilesha in Osun State. I was born in Ogenusa Barracks Benin City in the late 70s

Tell us about your educational background.

I had my elementary School at Army Primary School, Benin, Koko Atan Primary School, Atan- Ota, Ogun State. My secondary school was Ojodu Grammar School, Ojodu, Ikeja, Lagos. I also attended Humble Commercial Institute of Secretarial Studies, Ogba, Lagos, NIIT Ikeja Lagos and Federal Polytechnic, Ilaro, Ogun State.

How did you pick interest in drumming?

I’m not from the family of drummers, but I picked the interest from my grandmother, my mum is from Ilesha, Osun State and her dad was very popular and was a rich man while he was alive. He had three wives and all of them had three to four set of twins, my mummy was the last set of twins from his first wife.Those days, it was a common practice to take twins around to dance and beg for money, but my grandfather who was a rich man did not like that, he decided to do it in his own way by buying all types of drums and inviting all the well known drummers in Osogbo and Ilesa every last Saturday of every month to come and drum and sing for his twins.

He will also invite his friends to join him so that they could spray the twins money while dancing. All the wives will be singing different lyrics of the Ibeji’s. This practice was on for many years before he passed on.After his death there was no money to continue calling the drummers and do the cooking, this prompted my grandma who had the last set of twins to be drumming and singing for her children on her own till she got the knowledge of the talking drum.So, while growing up as a child we were always taken to Ilesa to spend our holidays with our grandma, among all the children then; I was the only one that will bring down the drums where they were all hung. I would beat the drum with no rhythm and making a lot of noise with it. My grandma saw my commitment in it, she later taught me the drumming part and by myself I started joining words to make it meaningful.

After my secondary school, I joined Alariwo of Africa as a backup artiste. I was with him, when he did an album titled ‘Yawa go gas’ and I left him after some times to face my studies. However, after I finished from the Poly, I was into Ewi poetry, also doing my drumming stuff, though not perfect yet. One day, a male friend introduced me to Lagbaja’s band leader, Mr. Muri Ayangbola and it was him that taught me the nitty-gritty of the job. When I got there, I met Ayanbinrin who had already been learning the job but she later left while I was still there. Ayangbola taught me Apala, Iya-Ilu, Gangan and others.

How did you parents react, when you picked drumming as a profession?

I started very early in life, my parent especially my dad was against this trade, all he wanted was a banker child. He is a retired soldier, a Major in Nigeria Army, who cherished education so much. It was God that intervened and I thank God today that I did not let him down.

Did you face any challenge when you started? Haa, I faced a lot of challenges when I started, especially financial problem, but with my passion, commitment and God’s grace, we are glorifying God for His mercy today.

Apart from drumming, we learnt that Ayangbajumo also sings, is that correct?

I have been a singer right from my childhood days but I preferred drumming to singing and I did combine both to entertain fans and admirers. “I sing, dance and beat drum, I have many successful records to my name.

Your First outing outside Nigeria, how was the experience?

Before my first American tour, I was in Germany for performance. I got to know that female drummers are well appreciated in the western-world than Africa. After my Germany tour, Luku Jazz Entertainment, a promoter in America, New Jersey, invited me to America for performance. On getting there, I met a lot of promoters and one of them, Olantech Global Promotions took interest in my performance and took me all over the states in America for performance. I played in Dallas, Texas, Posting, Maryland, Georgia, Delaway and New York. Most importantly, I played for Musiliu Akinsanya (MC Oluomo) in New York for his birthday celebration. I have performed in South Africa, Germany, Amsterdam, Boston and France too. I also did lot of shows in New Jersey where I am a resident. I’m happy to let you know that I have received lot of honours and awards, the recent ones was Yeye Asa of Texas and Cultural Ambassador in the Diaspora. The experience was very awesome.

Can you tell us about your annual award events and concert?

The first edition held in Nigeria in 2016 and it was a large turnout and the second edition is coming up in the United State of America in July 27th 2019. Ayan-to-gbajumo Awards is meant to appreciate all the drummers in the world both males and females, because I have never seen or heard about a talking drummer being appreciated or celebrated before and yet they are the power behind music. Drummers are not well known like the musicians, ‘AGA Awards is the first to appreciate drummers and up till this moment I have not seen anybody coming out to do the same thing or adding the drummers into the well existing entertainment awards. So I am using the awards to show them love and appreciate their talents.In this year, we have two categories, Legend drummer and the drummer of the year, the legend drummer is for old drummers who the musician he played for is late, for instance, Orlando Owoh is late, but his drummer Baba Elemede is alive.

Likewise, the drummers whose musician still lives and the drummer is alive too, for instance, Obesere is alive and his drummer, Sharafa is alive too.This year, we shall have appreciation awards to make it bigger than the previous.